Musicians Going Wireless

Although wireless systems have been a major player in the music industry for some time, they are still a point of contention in certain circles. Wireless configurations offer musicians greater mobility. However, some sceptics claim wireless systems are less reliable than corded ones.

It all boils down to individual priorities, as with every equipment problem. You’re the ideal candidate for today’s amazing array of wireless devices if your show requires you to have access to all areas of the stage. Even if your wired obsession is a thing of the past, there are still practical uses for some wireless equipment.

Many people dismiss wireless solutions because they don’t know the full range of options. You can learn more about wireless trends and integrate them without suffering their perceived disadvantages. We highlight some of the most innovative developments in wireless technology.

Hearing

No more carrying bulky speakers, setting them up in the middle or back of the stage and letting their output leak into the audience. Artists can now ditch traditional speakers and enjoy crystal-clear sound quality with wireless in-ear monitor audio systems. Wireless setups enable each musician to maximize their receiver and earpiece use. Artists can also adjust the sound level for their enjoyment and bandmates’ enjoyment.

In-ear monitors are available from many companies, but Shure is the most widely used. One-touch frequency scanning allows users to locate a clear wireless channel. Artists can perform at 300 feet without worrying about being too far away.

Another option is to go wireless. The Sennheiser EW IEM G4-TWIN series. The rack-mounted receiver is built to withstand any touring schedule. Its sturdy metal housing protects it from damage. The Sennheiser EW IEM G4–TWIN series is a reliable, customizable monitor that can operate up to 61 channels.

Singing

We’ve enjoyed Aerosmith’s Steven Tyler hanging all over his scarf-filled microphone stands for 35 years. But times have changed, and so has the technology behind rock’s hottest shows. Wireless mic technology has rendered the need for musicians to stand on microphone stands while they perform irrelevantly.

Wireless mics today are more than just convenient. They’re also reliable and intuitive. Every year brings new and more impressive options to rival their wired counterparts. The Electro-Voice RE3 series is a new product for 2019. It features a simple setup that includes a frequency scan and sync functions.

The RE3 offers a variety of options that allow performers at all levels to benefit from it. Electro-Voice offers a variety of bodypack options for those who want to do it all hands-free. For example, the BPOL includes an omnidirectional lavalier mic. The advanced microphone allows users to achieve extraordinary stage mobility while maintaining the excellent sound quality expected by their audience.

Instruments

Seeing a concert without being aware of the clutter created by cables on stage is impossible. It’s amazing that many artists don’t trip on the cables and fly into the first row. Musicians have always considered the cords on stage as important as the chords on the guitars. But that is about to change. A transmitter and receiver can be combined to power an entire band.

As musicians embrace wireless solutions for their instruments, the latest technological advancements give them greater peace of mind. For example, the BOSS wireless guitar system captures the essence of “plug and Play”. It has a transmitter plugged into the guitar and a receiver connecting to the amplifier or pedalboard. That’s it. The WL-20 scans the surrounding area for the ideal wireless frequency and will automatically set up the system.

Wireless can be used to replace instruments and amps with other devices such as stompboxes. This area has had many exciting developments, including the NAMM 2019 introduction of the line 6 relay G10S. The wireless stompbox system has a range of 130 feet and 24-bit audio quality. Artists have more options to send a reliable signal with 1/4″ and XLR outputs. The rechargeable battery of the stompbox can provide up to eight hours of playtime, eliminating any concerns about shortened performances.

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